By change we discovered a delightful midwinter walk from
Carros Village . The walk offers great views down to the Var Valley, to small villages
on the other side of the River Var, and to the snow-capped Mercantour mountain
tops.
Being this near the Riviera, the trail is surprisingly sauvage, in a natural state. The path is
nevertheless good and well-marked with yellow signs and fresh sign posts
showing the direction to Pont de la Lune
and Chapelle de St-Sébastien.
The trail first descends from the village parking, then
turns left following a paved street for about 150 m before turning left and
further descending steeply in the woods towards Pont de la Lune. When forking
left from the street, we saw a warning not to use the bridge because of the
risk of landslides. However, the trail was not officially closed by the mairie so we continued and wanted to see
the condition of the bridge. The bridge looked renewed, there were other
footprints on the bridge, so we crossed the bridge without any problems. Maybe
the note had been placed after torrential rains earlier this autumn? On the
other hand, in a description from 2012, there were already warnings and the
bridge looked better now! It is possible to take another trail from Carros
Village parking via Chemin de Font Bonne
that runs along the hillside a bit higher. Next to the bridge there are ruins
of an old mill in a bad shape, and going there is not recommended.
From the bridge, the trail ascends fairly steeply, then
crosses the D2209 road. The trail ascends further along a ridge with
unobstructed views and finally joins the D1 road. After about 200 m, the trail
forks left passing a residential area before reaching the chapel. On a sunny
midwinter day, it is a natural spot for picnic while admiring the great views.
At 465 m, the chapel is the highest point of our short hike. We opted to walk
back to Carros Village along a little and quiet road called Chemin du Claret,
and reached our starting point in just about 30 min.
Total walking time: 2 h
Total ascent:
285 m
European Heritage Days, Journées Européennes du Patrimoine, offer guided tours to historical buildings, visits to buildings that are not normally accessible to the public, and free entry to museums. The event began in France in 1984 sponsored by the ministry of culture and has become hugely popular.
This year we opted to visit Fort Carré and Musée Picasso in Antibes.
We parked at the Fort Carré parking by the D6098 road which is both convenient and free. There’s a free shuttle bus to the city centre but walking to the old town takes just about 20 min.
We first had a very pleasant guided tour of Fort Carré. It was a beautiful September morning, and we could really appreciate the great panorama from the roof of the fortress.
The French King Henri II ordered its construction in the 16th century. At that time, the border with the Duchy of Savoy was very near. Nice belonged to Savoy and Antibes to France. It was also important to protect Antibes and its harbour against pirates. At that time, some 50 soldiers were on guard at the fortress with their own kitchen and chapel. In the 1680s’ the fortress was strengthened by Vauban. After 1860, Fort Carré had no military purpose. Finally, in 1997 it was bought by the city of Antibes and opened to the public.
We then walked to the Vieille Antibes, the old town, passing Port Vauban now the largest marina in the Mediterranean Sea. The yachts in the harbour seem to get bigger every year.
We had lunch in the old town, in the pleasant patio of Le Jardin restaurant as Musée Picasso was closed during the lunch hour. Before it even reopened, a huge crowd had already gathered outside. So we decided to take a short walk in the old town, and popped in the English bookshop. After half an hour or so the queue to the museum had disappeared.
In 1946, Picasso lived with Françoise Gilot in an apartment in Juan-les-Pins and had very little space to work there. Musée Picasso was at that time known as Musée Grimaldi, and was owned by the city of Antibes. Picasso met the director of the museum who suggested that he could use the chateau as a studio. This resulted in several very prolific months before Picasso moved to Vallauris leaving all his Antibes output in the chateau. The bulk of the Picasso collection belongs to this period. Also other modern works of Nicolas de Staël, Germaine Richier and others are shown.
Image of Old Antibes courtesy of Google Maps
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